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LIVING IN MEMORIES PART 2

 Chapter Two:

Worlds Apart

Six years after the tragedy, the streets of Nairobi buzzed with a rhythm Nyachae had grown used to—but not entirely comfortable with. The matatus roared like untamed beasts, weaving through traffic with reckless pride. At Globe Roundabout, hawkers shouted over each other, peddling everything from sugarcane to pirated movies. Nairobi was many things: loud, hungry, relentless. And it was also home, at least for now.

Nyachae rented a bedsitter in Pangani. Not far from town, yet far enough to afford some silence when he needed it. The peeling walls of his apartment were plastered with sticky notes, clippings from the Daily Nation, and a small corkboard holding black-and-white photographs of his family—one in particular always drew his eye: a picture of their parents holding hands outside Kisii High School, the very place they’d met as young teachers.

He often stared at it late into the night, trying to reconstruct the moment it captured. Their smiles looked real, not staged. His father wore his old green sweater—the one with the frayed elbows—and his mother had wrapped her head in a maroon leso printed with Bible verses. Peaceful. Whole. Undisturbed.

Nyachae’s journalism career had started with promise. A year into his internship at The Standard, he’d earned his first byline. But his true passion had never been politics or crime. It was mystery—the human kind. He wanted to understand silence, especially the one that had swallowed Kisii that day.

One rainy Tuesday, after finishing a piece on street children in Kayole, he received a call. A familiar but unexpected voice.

“Mokeira?” he asked, uncertain.

“Yes,” came the reply, soft, hesitant. “I got your email. About the land compensation thing.”

There was silence. Then:

“I… I’m thinking of coming back. Just for a week.”

He didn’t answer immediately. His eyes scanned the wall where a letter from the Kisii County Government hung. It was official—families of accident victims along the river bend road were to be compensated for wrongful civil works. The catch? All beneficiaries had to appear in person.

“Okay,” Nyachae finally said. “It’s time.”


In the city of glass and sun, Mokeira stood in her Emirates uniform, staring at her reflection in a hotel mirror in Sharjah. The life she had built felt alien now. Her nails were perfect. Her English accent is smooth. Her apartment in Deira smelled of roses and Turkish coffee. But in her chest, something had hardened over the years. She hadn’t cried since the burial. Not even once.

She had learned to package pain. Fold it neatly. Store it in her service smile. She helped passengers settle in, comforted children mid-flight, and even flirted back when bored businessmen tried their luck. But her soul had drifted from her body long ago, on a cold Kisii morning, when they lowered her parents into the earth and she had whispered goodbye to everything she knew.

The decision to go back was not easy. It came like a slow bleed. First, the email from Nyachae. Then, a dream—her mother, standing at the edge of a river, beckoning her. When she awoke, her pillow was wet.


The return home began at Jomo Kenyatta International Airport. Nyachae stood near the arrival gate, nervous. The last time he saw his sister, she wore a black veil, her shoulders trembling as she boarded the flight to Dubai. Now, he wasn’t sure who he was meeting.

When she emerged, tall and polished in jeans and a beige trench coat, he barely recognised her.

“Nyachae?” she asked, offering a cautious smile.

He nodded. “You’ve changed.”

She looked down, then back up. “So have you.”

The ride to Kisii was mostly quiet. They passed through the Rift Valley, where escarpments kissed the sky. As they descended into Kisii County, memory returned in fragments—smells, roadside vendors, the sound of Gusii spoken rapidly at markets. At Suneka, they stopped for tea. At Nyansiongo, they bought roasted maize.

Finally, Nyakoe appeared—unchanged yet unfamiliar.


The Ogoti homestead greeted them like an ageing relative. The gate creaked, the fence sagged, but the mango tree still stood guard.

They entered the main house. Dust hung in the air like ghosts. Mama Rael, now frail and nearly blind, sat wrapped in a shawl.

“You came,” she said softly. “Thank God.”

They embraced her. Even Mokeira cried.

That night, as kerosene lamps flickered, they sat in the living room, sifting through old documents. There were school certificates, land maps, and even love letters.

Nyachae picked up a folded piece of paper. It was from their mother’s journal.

“If something ever happens to us, let no bitterness take root in you. Let your bond be your strength. Remember us not in the accident—but in the mornings of song and the nights of laughter.”

They read it aloud. No one spoke after. Only the sound of a nightjar echoed outside.


The next few days passed slowly.

Mokeira helped sweep the compound. She plucked ripe avocados and cooked omena the way her mother had taught her. Nyachae cleaned the store, finding a dusty camcorder they once used to record family events. Together, they watched old videos—their father teaching, their mother dancing at church. Joy lived in those memories.

Then came the land meeting.

At the sub-county office, they presented their case. Papers were signed. Compensation processed. But for the siblings, that wasn’t the victory.

The victory was something else: standing together in the village square, looking at the land not as orphans, but as heirs to a legacy.


One evening, as the sun dipped behind the Kisii hills, Nyachae and Mokeira sat under the mugumo tree.

“I think we should rebuild this place,” she said. “Turn it into something that gives back.”

He looked at her. “Like what?”

“A library. A centre. Somewhere children can read, talk, write.”

Nyachae nodded. “Living in memories… but not trapped by them.”

She smiled.

For the first time in years, they didn’t feel like victims. They felt like the children their parents had raised—brave, thoughtful, purposeful.

And as the stars emerged one by one above Nyakoe, a silent vow was made—not to forget the past, but to build on it.

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